Geoffrey Chadsey’s Mysterious, Monstrous Drawings of Men
AnOther Magazine
On Domesticity and Memory in James Baldwin and Becky Suss
Literary Hub
10 BROOKLYN ARTISTS WITH SHOWS YOU NEED TO SEE RIGHT NOW
Brooklyn Magazine
Howard University acquires landmark collection of Gordon Parks photos
The Washington Post
The Politics of Pain in Hayv Kahraman’s Exposed, Knotted Bodies
ArtReview
Elizabeth Alexander Examines the Trayvon Generation
Elle
30 Black Artists at Frieze LA 2022
Los Angeles Review of Books
Exhibit on being Black in America a gut punch
Times Union
Claudette Schreuders: Doubles at Jack Shainman Gallery
WhiteHot Magazine
How Art Can Value, Attest To, and Convey the Legacy of the Black Panthers
Hyperallergic
Haunting wooden sculptures by Claudette Schreuders reveal why we can't escape from ourselves
Creative Boom
BOOK REVIEW: SALVAGE BY JACKIE NICKERSON
Musee
Hayv Kahraman: ‘I was brainwashed into thinking anything Euro-American-centric is the ideal’
The Guardian
‘Brave people stepped up to the plate’: remembering the Black Panthers through art
The Guardian
Ifeyinwa Joy Chiamonwu on Depicting Family and Friends in Detailed Portraits: ‘When You See Them on a Wall, You Actually See Me’
ArtNews
A New Home for Hundreds of Photographs by the Legendary Gordon Parks
Atlas Obscura
Ifeyinwa Joy Chiamonwu: Genesis
The Guide
Exhibition Review: Carrie Mae Weems, Down Here Below
Musee
Art Out: A TRAVÉS, CARRIE MAE WEEMS, ALEC SOTH
Musee
Artnet Editor's Picks
Artnet
An exhibition considers what's changed since the Black Power movement – and what hasn't
CNN
Jack Shainman Gallery Announces “Genesis”, Artist Ifeyinwa Joy Chiamonwu’s First Solo Exhibition
The Hype
Ifeyinwa Joy Chiamonwu: Genesis
Surface Magazine
The Artists To Watch in 2022: Part 1
Elephant
Becky Suss Recalls the Formative Interiors of Her Childhood
Surface
Family Affairs: Collecting Together Toyin Ojih Odutola’s Tales of Nigerian Life
Art Basel Miami Beach opens in a younger, richer, techier city
Financial Times
‘He’s inspired so many of us’: how Gordon Parks changed photography
The Guardian
‘A Choice of Weapons: Inspired by Gordon Parks’ Review: Defining Portraits
New York Times
RADCLIFFE BAILEY ON HIS NEW ABSTRACTIONS: “I ALWAYS THOUGHT THE SURREAL WAS REAL TO BLACK PEOPLE”
ArtNews