States Of Being


The Time Is Always Now, National Portrait Gallery review — Black figurative art takes its place in the canon Financial Times Six Artists Reflect on the Legacy of the Harlem Renaissance New York Times In a Breakthrough Show at ICA SF, Hayv Kahraman Stares Down Her Demons Vogue Jack Shainman Gallery Takes Over Manhattan’s Historic Clock Tower Hyperallergic Richard Mosse’s Amazonia Dazzles and Devstates Art in America In San Francisco for FOG? Don't Miss These 7 Exhibitions Around the City Cultured How we learn to see history: A case study at the National Cathedral The Washington Post See How Nigerian Artist El Anatsui Weaves Mesmerizing Tapestries Out of Cast-Off Materials artnet Jack Shainman Gallery debuts new Tribeca space with Richard Mosse exhibition Artsy The Impeccable Peacocks of Barkley Hendricks New York Magazine The Breakout Stars of 2023 New York Times Piecing Together a Black Identity, and a Whole Black World New York Times Interview: Richard Mosse Fact Magazine A New Film Documents Kerry James Marshall’s Dynamic Stained Glass Windows for the Washington National Cathedral Colossal At The Momentary, An Art-Driven, Impassioned Plea for the “Enduring Amazon” Cool Hunting Rose B. Simpson Harnesses the Power of Community in Life-Sized Clay Sculptures Artsy Radcliffe Bailey, Artist Who Explored Black Migration, Dies at 54 The New York Times The Revolutionary Printmaking of Kerry James Marshall The New Yorker Kerry James Marshall’s Prints Throw Blackness Into Relief The New York Times Barkley L Hendricks, Frick Collection review — a superstar of portraiture finally gets his due The Financial Times Seeing the Frick Anew Through Barkley L. Hendricks’s Portraits Hyperallergic El Anatsui Builds Monumental Art From Daily Life The New York Times El Anatsui/Turbine Hall review – miracles in gleaming gold made from recycled rubbish The Guardian Artist Kerry James Marshall: ‘Pictures don’t do anything. People do things’ The Financial Times Barkley L. Hendricks: Portraits at the Frick The Brooklyn Rail A ‘Cross-Fertilization of Ideas’: El Anatsui on the Growing Spotlight on Non-Western Art and Bringing Up the Next Generation of Ghana’s Art Stars Artnet News For Barkley Hendricks, Finally a Seat at the Head of the Table The New York Times For $18.65, famous artist designs racial justice windows for National Cathedral The Washington Post Hank Willis Thomas Speaks on the Work That Remains Surface Magazine Carrie Mae Weems and George C. Wolfe on Defiance and Claiming Space The New York Times Style Magazine