A reckoning in color: Faith Ringgold’s fierce legacy shakes the walls at Jack Shainman Gallery
amNY
What Sculptor Charisse Pearlina Weston Sees in Shattered Glass
artnet
A Retrospective of Trailblazing Artist Faith Ringgold Centers Narratives of Black Americans
Colossal
Hank Willis Thomas' I Am Many Implicates Us All in the Making of History
Autre
In Hayv Kahraman’s ‘Ghost Fires,’ Grief Becomes a Living Ritual
Observer
Hank Willis Thomas: What Lies Beneath – Jack Shainman Gallery, New York
Forbes
Forced to Flee Two Homes, a Painter Finds a Refuge on Canvas
New York Times
Hank Willis Thomas: I AM MANY | Jack Shainman Gallery
Musée
In Hayv Kahraman’s New Show, the Artist Heals From Devastation
W Magazine
With His Latest Exhibition, Hank Willis Thomas Meets the Moment
Surface Magazine
Claudette Schreuders’ Idiosyncratic Sculptures of Suburban Life
Surface Magazine
Malick Sidibé: Regardez-moi
Brooklyn Rail
Toyin Odutola On Style And Identity Within Her Latest Exhibition "Ilé Oriaku"
Essence
Portraiture Unbound: In Tribeca, Toyin Ojih Odutola Reimagines Form, Color, and Memory at Jack Shainman Gallery, NYC
Arte Fuse
15 Art Shows to See in Upstate New York This Summer
Hyperallergic
At The School, ‘General Conditions’ is both a mirror and an antidote
Document Journal
"General Conditions" Opens at Jack Shainman's The School in Kinderhook
Chronogram
Toyin Ojih Odutola Is Drawing Up Worlds
New York Times
Malick Sidibé
The New Yorker
Toyin Ojih Odutola’s Latest Exhibition Is a Family Affair
W Magazine
Faith Ringgold Estate Heads to New York’s Jack Shainman Gallery
Artnews
Review | Barkley L. Hendricks
Artforum
Separating the Art from the Artist
Impulse Magazine
Lyne Lapointe's New Body of Work Explores the Body in Flux
Loophole
Exhibitions in New York: Fruitful Metamorphoses
Le Devoir Magazine
Nick Cave Sheds the Soundsuit for His Next Chapter
Elephant Magazine
Nick Cave’s Eternal Garden
Hyperallergic
Nick Cave Is Serving You Everything
Hyperallergic
New York: Nick Cave is Inaugurating JackShainman Gallery’s Tribeca Space With TwoProfound Bodies of Work
Culture Type
Barkley L. Hendricks: Space is the Place
The Brooklyn Rail